HTML Symbol Codes & Special Characters


Here you’ll find a comprehensive list of HTML codes to put ASCII special characters on web pages. Common codes are those to add a copyright symbol, or the TM trademark symbol, but there are plenty of useful characters available. Some ASCII codes were also initially intentioned to control devices, it was designed in the early 60’s, as a standard character-set for computers and hardware devices like teleprinters and tapedrives.

Web Browsers, Web Safe Fonts And Notes Of Caution

Most will display on all browsers, though not all characters may be supported, so be sure to test before you let a page go live. Also, please note that the HTML Names are case-sensitive.

While CSS3 and HTML5 now let designers use any font they wish on a webpage, the designer should be aware when using non-websafe fonts as some fonts don’t have some of these special characters.

Symbol

HTML

Name

Description


 
 
-
Space
!
!
-
Exclamation Mark
"
"
"
Double Quote
#
#
-
Number Sign / Hash
$
$
-
Dollar Sign
%
%
-
Percent Sign
&
&
&
Ampersand
'
'
-
Single Quote
(
(
-
Left Parenthesis
)
)
-
Right Parenthesis
*
*
-
Asterix
+
+
-
Plus
,
,
-
Comma
-
-
-
Minus
.
.
-
Period
/
/
-
Forward Slash
0
0
-
Zero
1
1
-
One
2
2
-
Two
3
3
-
Three
4
4
-
Four
5
5
-
Five
6
6
-
Six
7
7
-
Seven
8
8
-
Eight
9
9
-
Nine
:
:
-
Colon
;
&#59;
-
Semi-Colon
<
&#60;
&lt;
Less-Than Sign
=
&#61;
-
Equal Sign
>
&#62;
&gt;
Greater-Than Sign
?
&#63;
-
Question Mark
@
&#64;
-
At-Sign
A
&#65;
-
Capital A
B
&#66;
-
Capital B
C
&#67;
-
Capital C
D
&#68;
-
Capital D
E
&#69;
-
Capital E
F
&#70;
-
Capital F
G
&#71;
-
Capital G
H
&#72;
-
Capital H
I
&#73;
-
Capital I
J
&#74;
-
Capital J
K
&#75;
-
Capital K
L
&#76;
-
Capital L
M
&#77;
-
Capital M
N
&#78;
-
Capital N
O
&#79;
-
Capital O
P
&#80;
-
Capital P
Q
&#81;
-
Capital Q
R
&#82;
-
Capital R
S
&#83;
-
Capital S
T
&#84;
-
Capital T
U
&#85;
-
Capital U
V
&#86;
-
Capital V
W
&#87;
-
Capital W
X
&#88;
-
Capital X
Y
&#89;
-
Capital Y
Z
&#90;
-
Capital Z
[
&#91;
-
Left Square Bracket
\
&#92;
-
Back Slash
]
&#93;
-
Right Square Bracket
^
&#94;
-
Caret
_
&#95;
-
Underscore
`
&#96;
-
Grave Accent
a
&#97;
-
Lowercase a
b
&#98;
-
Lowercase b
c
&#99;
-
Lowercase c
d
&#100;
-
Lowercase d
e
&#101;
-
Lowercase e
f
&#102;
-
Lowercase f
g
&#103;
-
Lowercase g
h
&#104;
-
Lowercase h
i
&#105;
-
Lowercase i
j
&#106;
-
Lowercase j
k
&#107;
-
Lowercase k
l
&#108;
-
Lowercase l
m
&#109;
-
Lowercase m
n
&#110;
-
Lowercase n
o
&#111;
-
Lowercase o
p
&#112;
-
Lowercase p
q
&#113;
-
Lowercase q
r
&#114;
-
Lowercase r
s
&#115;
-
Lowercase s
t
&#116;
-
Lowercase t
u
&#117;
-
Lowercase u
v
&#118;
-
Lowercase v
w
&#119;
-
Lowercase w
x
&#120;
-
Lowercase x
y
&#121;
-
Lowercase y
z
&#122;
-
Lowercase z
{
&#123;
-
Left Curly Brace
|
&#124;
-
Vertical Bar
}
&#125;
-
Right Curly Brace
~
&#126;
&tilde;
Tilde
&#128;
-
Euro
&#130;
&sbquo;
Single Low-Quote
ƒ
&#131;
-
Function Symbol
&#132;
&dbquo;
Double Low-Quote
&#133;
-
Elipsis
&#134;
&dagger;
Dagger
&#135;
&Dagger;
Double Dagger
ˆ
&#136;
-
Hatchek
&#137;
&permil;
Per Million Symbol
Š
&#138;
-
Capital Esh
&#139;
&lsaquo;
Left Single-Angle Quote
Œ
&#140;
-
OE Ligature
Ž
&#142;
-
Capital Grapheme
&#145;
&lsquo;
Left Single-Quote
&#146;
&rsquo;
Right Single-Quote
&#147;
&ldquo;
Left Double-Quote
&#148;
&rdquo;
Right Double-Quote
&#149;
-
Small Bullet
&#150;
&ndash;
En Dash
&#151;
&mdash;
Em Dash
˜
&#152;
&Tilde;
Upper-Tilde
&#153;
&trade;
Trademark
š
&#154;
&45;
Lowercase Esh
&#155;
&rsaquo;
Right Single-Angle Quote
œ
&#156;
&45;
Small OE Ligature
ž
&#158;
&45;
Lowercase Grapheme
Ÿ
&#159;
&Yuml;
Uppercase Y-Umlaut
 
&#160;
&nbsp;
Non-Breaking Space
¡
&#161;
&iexcl;
Inverted Exclamation Point
¢
&#162;
&cent;
Cent
£
&#163;
&pound;
Pound Sterling
¤
&#164;
&curren;
Currency Sign
¥
&#165;
&yen;
Yen
¦
&#166;
&brvbar;
Broken Vertical Bar
§
&#167;
&sect;
Section Symbol
¨
&#168;
&uml;
Umlaut (Diaeresis)
©
&#169;
&copy;
Copyright Symbol
ª
&#170;
&ordf;
Superscript Lowercase A
«
&#171;
&laquo;
Left Angle Quote
¬
&#172;
&not;
Not Sign
®
&#174;
&reg;
Registered Sign
¯
&#175;
&macr;
Macron
°
&#176;
&deg;
Degree Sign
±
&#177;
&plusmn;
Plus/Minus Sign
²
&#178;
&sup2;
Superscript 2 (Squared)
³
&#179;
&sup3;
Superscript 3 (Cubed)
´
&#180;
-
Acute Accent
µ
&#181;
&micro;
Micro Sign
&#182;
&para;
Pilcrow Sign / Paragraph
·
&#183;
&middot;
Middle Dot
¸
&#184;
&cedil;
Cedilla
¹
&#185;
&sup1;
Superscript 1
º
&#186;
&ordm;
Superscript O
»
&#187;
&raquo;
Right Angle Quote
¼
&#188;
&frac14;
One Quarter Fraction
½
&#189;
&frac12;
One Half Fraction
¾
&#190;
&frac23;
Three Quarters Fraction
¿
&#191;
-
Inverted Question Mark
À
&#192;
&Agrave;
A Grave Accent (uppercase)
Á
&#193;
&ampAacute;
A Acute Accent (uppercase)
Â
&#194;
&Acirc;
A Circumflex (uppercase)
Ã
&#195;
&Atilde;
A Tilde (uppercase)
Ä
&#196;
&Auml;
A Umlaut (uppercase)
Å
&#197;
&Aring;
A Ring (uppercase)
Æ
&#198;
&AElig;
AE Ligature (uppercase)
Ç
&#199;
&Ccedil;
C Cedilla (uppercase)
È
&#200;
&Egrave;
E Grave (uppercase)
É
&#201;
&Eacute;
E Acute (uppercase)
Ê
&#202;
&Ecirc;
E Circumflex (uppercase)
Ë
&#203;
&Euml;
E Umlaut (uppercase)
Ì
&#204;
&Igrave;
I Grave (uppercase)
Í
&#205;
&Iacute;
I Acute (uppercase)
Î
&#206;
&Icirc;
I Circumflex (uppercase)
Ï
&#207;
&Iuml;
I Umlaut (uppercase)
Ð
&#208;
&ETH;
Eth
Ñ
&#209;
&Ntilde;
N Tilde (Enye)
Ò
&#210;
&Ograve;
O Grave (uppercase)
Ó
&#211;
&Oacute;
O Acute (uppercase)
Ô
&#212;
&Ocirc;
O Circumflex (uppercase)
Õ
&#213;
&Otilde;
O Tilde (uppercase)
Ö
&#214;
&Ouml;
O Umlaut (uppercase)
×
&#215;
&times;
Multiplication Sign
Ø
&#216;
&Oslash;
O Slash (uppercase)
Ù
&#217;
&Ugrave;
U Grave (uppercase)
Ú
&#218;
&Uacute;
U Acute (uppercase)
Û
&#219;
&Ucirc;
U Circumflex (uppercase)
Ü
&#220;
&Uuml;
U Umlaut (uppercase)
Ý
&#221;
&Yacute;
Y Acute (uppercase)
Þ
&#222;
&THORN;
Thorn
ß
&#223;
&szlig;
SZ Ligature
à
&#224;
&agrave;
A Grave Accent (lowercase)
á
&#225;
&ampaacute;
A Acute Accent (lowercase)
â
&#226;
&acirc;
A Circumflex (lowercase)
ã
&#227;
&atilde;
A Tilde (lowercase)
ä
&#228;
&auml;
A Umlaut (lowercase)
å
&#229;
&aring;
A Ring (lowercase)
æ
&#230;
&aelig;
AE Ligature (lowercase)
ç
&#231;
&ccedil;
C Cedilla (lowercase)
è
&#232;
&egrave;
E Grave (lowercase)
é
&#233;
&eacute;
E Acute (lowercase)
ê
&#234;
&ecirc;
E Circumflex (lowercase)
ë
&#235;
&euml;
E Umlaut (lowercase)
ì
&#236;
&igrave;
I Grave (lowercase)
í
&#237;
&iacute;
I Acute (lowercase)
î
&#238;
&icirc;
I Circumflex (lowercase)
ï
&#239;
&iuml;
I Umlaut (lowercase)
ð
&#240;
&eth;
Eth (lowercase)
ñ
&#241;
&ntilde;
N Tilde (lowercase)
ò
&#242;
&ograve;
O Grave (lowercase)
ó
&#243;
&oacute;
O Acute (lowercase)
ô
&#244;
&ocirc;
O Circumflex (lowercase)
õ
&#245;
&otilde;
O Tilde (lowercase)
ö
&#246;
&ouml;
O Umlaut (lowercase)
÷
&#247;
&divide;
Devision Symbol
ø
&#248;
&oslash;
O Slash (lowercase)
ù
&#249;
&ugrave;
U Grave (lowercase)
ú
&#250;
&uacute;
U Acute (lowercase)
û
&#251;
&ucirc;
U Circumflex (lowercase)
ü
&#252;
&uuml;
U Umlaut (lowercase)
ý
&#253;
&yacute;
Y Acute (lowercase)
þ
&#254;
&thorn;
Thorn (lowercase)
ÿ
&#255;
&yuml;
Y Umlaut (lowercase)
-
&crarr;
Carriage Return
-
&larr;
Left Arrow
-
&rarr;
Right Arrow
-
&harr;
Horizontal Arrow
-
&varr;
Vertical Arrow
-
&uarr;
Up Arrow
-
&darr;
Down Arrow
-
&lArr;
Left Arrow (double line)
-
&rArr;
Right Arrow (double line)
-
&hArr;
Horizontal Arrow (double line)
-
&vArr;
Vertical Arrow (double line)
-
&uArr;
Up Arrow (double line)
-
&dArr;
Down Arrow (double line)
&#8470;
-
Number Shorthand
Θ
-
&Theta;
Theta
-
&loz;
Lozenge
-
&diams;
Diamonds (card)
-
&spades;
Spades (card)
-
&clubs;
Clubs (card)
-
&hearts;
Hearts (card)
-
&prop;
Proportionality
-
&int;
Integral
-
&forall;
For All
-
&exist;
There Exists
-
&part;
Partial Derivative
-
&empty;
Empty
-
&notin;
Is Not
-
&cap;
Set-Theoretic Intersection
-
&cup;
Set-Theoretic Union
-
&there4;
Therefore
-
&perp;
Perpendicular
Δ
-
&Delta;
Delta
-
&nabla;
Divergence
-
&asymp;
Approximately Equal To
-
&le;
Less Than Or Equal To
-
&ge;
Greater Than Or Equal To
-
&prod;
Product
-
&coprod;
Coproduct
-
&sum
Summation
-
&radic
Square Root
-
&ang
Angle
-
&isin
Is An Element Of
&#8319;
-
Superscript N
&#8355;
-
Franc
&#8359;
-
Pints / Points
&#8362;
-
(unknown)
&#8539;
-
One Eighth
&#8540;
-
Three Eighths
&#8541;
-
Five Eighths
&#8542;
-
Seven Eighths
&#8735;
-
Right-Angle
&#8800;
-
Is Not Equal To
&#8801;
-
Congruence Relation

“Vanessa’s Dad” by Jacquemo – Video

This is one of a number of videos that I have created for Nic Tribe, the front-man of the band Jacquemo, and composer for film and television.

I have filmed many of their gigs and produced videos which they have used for self-promotion, and have been successful in landing them gigs at a number of venues and festivals.

You can view a playlist of a number of videos that I have created for Jacquemo here.

Skills Range

  • Filming
  • Film Editing

“Vanessa’s Dad” by Jacquemo

Featured Portfolio Work

[display-posts category=”featured” posts_per_page=”-1″ order=”DES” orderby=”date”]

To My Portfolio

Marketing Strategies & Ideas For Small Businesses and Charities

About These Marketing Ideas

The list is large, and contains many ideas that span the whole gamut of media. Use it as a mind-mapping start point, and choose what is suitable for your business. See if you can combine particular ideas, or turn them on their head to come up with something unique and surprising.

Bonus: Social Media Checklist

Stuck for marketing ideas, or other ways to ensure that your message is reaching your audiences? I’m pleased to offer this extensive list of marketing ideas. I hope that it gets your creative juices flowing.

Marketing Ideas and Social Media Checklist

[alert type=”info”]PDF: Free Marketing Strategies & Ideas For Small Businesses and Charities, including social media guide and checklist[/alert]

Does your website make these mistakes? – The ultimate website checklist

How They Hurt Your Site And What To Do About Them

Designing a site that meets only your needs / wants

It is perfectly understandable that you’re excited about your new site and all that you want it to do. However, the users of your site (i.e. your customers) are the people who will be spending their time there. It’s important to address their needs.

Is the purpose of your site instantly clear?

Any visitor, no matter how computer literate they may, or may not be, needs to be able to understand what the site is about, and what your business does within a few seconds of arriving at your website.

What is your sites focal point?

Every site should have a focal point. One thing that your visitors should see. This could be a request to sign-up for a free trial, the benefits of your service etc.

The site doesn’t look professional

A clean, contemporary design, free of errors (and one which takes note of the items in this list) will help your site look professional, and help instill a sense of trust in your visitors.

The web pages take too long to load

People expect to be able to access the information that they’re looking for quickly. The load time of your pages can make your visitors give up waiting and head elsewhere. A number of factors will affect loading time – the server it’s hosted on, large images, poor website coding, and plugins, amongst other things.

Having too much content on the home page / the home page is too long

Consider the homepage as a portal to the rest of the site. It should provide people with some key information, and make it easy to find what they’re looking for. Ideally, the home page shouldn’t be more than around two screen heights. Obviously this depends on the screen resolution of your visitor, so aim for the lowest common denominator.

Scan-reading the page doesn’t provide the visitor with the content they’re after, or tell them what the page is about

People are used to quickly scanning a web page, trying to find the information they’re after, or checking that the page will be of use to them. Arrange your content appropriately by using headings and lists.

Does disabling images or CSS styling render your site unusable?

This is especially important to visitors with disabilities such as blindness, where they may access the web with a screen reader. Not only that, a website which works without CSS and images is likely to be very search engine-friendly and properly coded.

Does disabling JavaScript break the site?

JavaScript should give added functionality and not be required in order to view a site. Some people choose to browse with it disabled.

Put things where people expect them

As the web has developed, there are certain things that people expect, such as the company logo will be at the top-left and clicking it will take you back to the home page, menu items will be at the top or on the left, and so on. Following conventions will mean that users can easily navigate your site.

Only use items which are necessary

Think carefully about everything that you add to your pages. If they’re not conveying an important message, or providing something useful, have a think if you could live without it.

Does your site use a lot of Flash?

Flash is now well and truly on its way out. It will continue to hang around for some time, as online games and similar, but when it comes to building websites out of Flash, it’s over. Flash is not very user-friendly, search engines don’t like it, and neither do mobile devices.

Don’t use splash pages

Splash pages are also a really bad idea. Like Flash, they’re bad for usability and search engines. They tend to drive your visitors away.

Sites should be tested on numerous devices, web browsers, screen sizes and mobile devices

Different devices will display your website differently. It’s a fact which drives designers and developers mad. What works on one, may not work on another. The trick is to create something which works across the board without the use of hacks (code which isn’t compliant, but tells the different devices or browsers to display something a little differently. Fortunately, it’s not important to have every device display your website exactly the same. Responsive design, where the site automatically adjusts to fit the screen is the way forward.

Is the site fixed-width or completely fluid?

This also ties in with the point about responsive design above. With the wide array of screen resolution that your site will be subject to, fixed-width (where the width of your site will not change no matter what), or fully fluid (where the site will always take up the entire width of the browser) can cause display and usability issues for your visitors.

Sounds or video plays automatically when the page loads

The intrusion can really irk your customers. You may be able to get away with it if you’re a musician or film-maker so that you can showcase your work, but even then I’d strongly advise against it. Some people (myself included) will open up numerous pages one after another so that I can then go and flick through them at leisure. If a video starts playing in one of the open tabs, it’s an annoyance trying to find the right one and close it.

iFrames should be avoided where possible

This comes back to usability, but it also causes display issues where your site will resize responsively, but the iFrames won’t. There are some instances where it can’t really be helped though.

Pop-ups should only be used in very special circumstances

Pop-ups will annoy your visitors no end. In fact, I can’t think of an instance where a pop-up would provide something which couldn’t be better done another way. Nothing should interrupt the visitor without an exceptional reason, and I’m sorry to say, asking them if they’re sure they want to leave your site, or asking them to hand over their email address before they’ve even had a chance to view the page, isn’t going to win you friends.

Has right-click been disabled?

People right-click for a number of reasons, opening pages in new tabs, copying a URL and similar. If someone is determined to copy an image you don’t want them to, there’s not much that can be done. They’ll always find a way. Better to keep your site user-friendly.

Keep links consistent

Keeping your styling consistent helps aid navigation as users can quickly and easily identify what’s a link, and what isn’t.

Too much, or too little white-space

Good use of white-space makes your site easy to read. Your calls-to-action will stand out, and users will be able to find what they’re looking for.

Too much text, or too little

People tend to skim-read web pages, so any copy you have should be relevant and necessary.

Only links should be underlined

Underlined text on a webpage has become synonymous with links, so it should only be used if something is a link. Inline advertisements should be double-underlined.

Check for broken links and missing pages

Coming across dead links is frustrating. Not an issue if it happens once, but can grate on you if you find many. Exacerbated by an unhelpful 404 page.

Your logo, images and other content should be professionally made

Well produced elements make your site look more credible.

Your logo should link back to the homepage

It’s expected and is quite often the first method people will use to navigate to the homepage even if there is a ‘home’ link.

Links should be short and descriptive

People like to know where they’re being taken so that there’s no nasty surprises.

Images should be optimised

Images can often have large file sizes. Compressing them suitably can mean that they will load quickly, yet the quality will still be high. Of course, you sometimes want to provide high-quality images.

Graphics shouldn’t be used for text

Not using images to display text means that your site is accessible to those with screen readers and similar. Also, search engines can’t read images.

Animated GIFs are distracting

They also have a tendency to look very cheap and put added strain on your server and visitors bandwidth.

Visitors should always know where they are within your site

Not much of an issue for very small sites, but as it grows, it can become rather confusing. Mystery Meat Navigation should also be avoided (MMN is navigation which uses obscure text or abstract images to identify links.)

Does your content entice people to return?

You want people to keep coming back to your site, time and time again. The key is to provide great content, making it engaging, useful, readable and adding fresh content frequently. Copy that was written for print will need to be edited for the web.

Ensure that lines of text are not too long, or too short

Lines which are too long long or short quickly become tiresome to read. Ideally you’re aiming for between 7 and 13.

You should have dark text on a light background

The reverse can be quite hard on the eyes after a while, and a low contrast can also be bothersome.

Use external CSS style sheets

CSS is now the recognised way to style a website, and using it an an external page, not inline. It makes it easier to maintain the site, not to mention doing your visitors a few favours, such as reducing load time.

Do you have a search feature?

Extremely helpful for visitors to be able to search your site for what they’re looking for

Check to see that your website code is valid

Adhering to W3C standards will have a number of benefits. Users are less likely to encounter errors, and your site stands a better chance of displaying the same across all platforms (With the exception of Internet Explorer, but I have high hopes that IE10 will finally fall in line and render sites in the same manner as the other major browsers).

Do you use tracking code?

Inserting tracking code, most probably Google’s, will give you invaluable feedback about how people use your site. Analysing it will provide incredible insight and flag up potential issues. No need to stop with Google though, ClickHeat will actually show you where people are clicking on your site.

Ensure the date is on time-sensitive articles

Some people don’t like doing this as they don’t want people to know that they haven’t added any new content in a while, however, it can be frustrating to read something only to discover that it’s out of date. Update articles if the content isn’t timeless. For events and such like, give the full date with day of the week. It lets people mentally check if they’re able to make it.

Check to see that your website code is valid

Adhering to W3C standards will have a number of benefits. Users are less likely to encounter errors, and your site stands a better chance of displaying the same across all platforms (With the exception of Internet Explorer, but I have high hopes that IE10 will finally fall in line and render sites in the same manner as the other major browsers).

Is the language suitable for your audience?

Language style should be for the readability of a teenager, though that isn’t all that useful as I’ve know some that are highly articulate, while others are borderline illiterate. And there’s no mention of where on the teenage scale you should be aiming. However, make it easy to read, avoid jargon and acronyms, unless you’re sure that your audience is specialised and will be fully aware of the meanings. You should still ensure that each acronym is explained the first time it is introduced into an article. Or you could use a tooltip.

Special characters should be encoded

Although browsers are now much better at handling ampersands and other special characters, they can still display incorrectly for some users.i.e. use ‘&amp;‘ instead of ‘&’ in your code to display the ampersand.

Don’t use hit counters

People consider them to be very 1990’s, however, there could be special instance where it would be useful to know, or an involved part of your overall website strategy, such as fund-raising.

Provide your contact information

…and make sure it’s clear and easy to find. This will help instill trust. Give people different options too. Physical address, landline number, contact form and email address. To stop spammers, it may be reasonable to not display your email, instead relying on a contact form, or maybe displaying it as an image. Though you’ll still need a way for people who cannot see your images to email you.

Avoid the long con

I’m referring to those sites which have a tall sales-pitch style of homepage, or those that make you click through a number of pages in order. It makes you product appear to be snake oil.

Ensure the correct file format has been used for the right purpose

JPEGs for photos, or PNGs. GIF for small images which don’t require transparency. Yes, GIFs do offer transparency, but the transparent parts can only be on or off, giving jagged edges.

Avoid table-based layouts

DIVs are the way to layout your future-ready website. Easy to control, and much easier to maintain.

So is that all?

Not by a mile. There’s always things which can be improved, and it seems that there’s no such thing as the perfect site. They’re all flawed in some way. All you can do it strive to make it better, and I guarantee that it’ll be worth it in the long-run. I hope that you’ve found it useful, and if you have any tips, please share them.

Have an ecommerce website? Then maybe you should check out (geddit?) how to increase conversions.

Fund-Raising / Charity Funding Websites, Sites Like JustGiving

Charities are continuously searching for new sources of funds, particularly as they’re feeling the squeeze along with the rest of us. There’s a number of sites available that will help you get going and reach a wider audience than you may otherwise be able to, though at a cost.

Charity Fund-Raising Websites. Do They Work And Are They Worth It?

These are slightly complicated questions. Although fund-raising sites are undoubtedly useful, there are some things to consider. These sites are not (usually) the altruistic enterprise that you may consider them to be; they have running costs, and many of them are there to make money – and there’s a lot of money to be made. Let’s say one year you make £50,000 and they keep 5%, that’s £2,500. When you consider that they may have thousands of charities on their books and that some charities can make considerably more, you can soon see why such sites are often money-spinners for the people who run them.

If someone wanted to send you a large donation, they’d be better off sending you a cheque or bank transfer, cutting out the middle man so you get the whole amount. However, fund-raising sites do make it easy to donate by giving people a number of options, and making the process streamlined. In this regard you will gather funds from those who are the types to give to charities but for whatever reason tend not to get around to it. Secondly, you can reach a global audience, which lets face it, would be hard to do on your own without substantial capital available to get a campaign of the ground.

To quickly sum up, yes they are very useful, but usually at a price. Try to gather funds from other sources or get people to donate directly if possible.

How Do Fund-Raising Sites Differ From Crowd-Funding?

The main difference between fund-raising sites and those which help generate funds to get a project off the ground (crowd-funding), is that fund-raising sites are designed for long-term money generation with no time-limit, and no expected return on a donation. You can read more about crowd funding here – Crowd Funding, Fund-Raising Websites Like IndieGoGo.

A Comparison List Of Fund Raising Websites

these sites are mentioned in no particular order. When I started to compile the list I didn’t favour any particular site.

What To Look For When Choosing A Fund-Raising Website

Each site has its own benefits and different charges that you’ll need to look out for. I haven’t talked specifically about them here as they change all the time. Have a look at your options and see which will offer the best solution for your situation.

Useful Tools For Charities & Non-Profits – Google, Bing and others

New non-profit organisations are often springing up all over the place as self-sacrificing individuals put their time, effort and money into a worthy cause that strikes a chord with them, making the world a better place. It’s a remarkable thing to do, and I salute you.

I’ve worked with a few non-profit and charitable organisations, and here’s some of the useful things I’ve discovered along the way.

Google for Charities & Non-Profits

Google has a great number of useful tools and resources for charities. We’ll have a look at what they have on offer. Unfortunately some of these are location dependant, with US-based organisations being able to boast access to the lions-share of tools. Even so, what is currently available worldwide and to the UK, is not to be ignored.

http://www.google.com/nonprofits/index.html
Google’s Non-Profit home page, the portal to all the products. Here you’ll be able to see if you’re eligible, and to which products you’ll be able to have access to. Some of these are free, but they do have premium tools available also, though usually with heavy discounting applied.

Be prepared to jump through some hoops to get yourself registered, but it’s not laborious. They do need to ensure that you’re representing a legitimate charity.

Let’s have a look at what’s on offer.

1. Google Apps
– Gmail
The email service that you may be already familiar with. You can even use your own custom address i.e ‘yourname@yourdomain.com’, making your organisation seem more legitimate.

– Calendar
A powerful calendar to aid you with organising events, meetings etc.

– Drive
Online storage for files and documents. You get a little included (5GB at time of writing) and can purchase more as you need it. It can become expensive though…

– Docs
Meaning ‘documents’. Allows you to create and share word processing files, spreadsheets and presentations.

– Places
Allows you to pin-point your organisation on Google Maps. You can add contact information and other information.

– Analytics
Monitor your website traffic, see what people are searching for, how they manage to find your site, and examine your visitor behaviour.

– Google +
Google’s foray into the social media boom. They were a little late to the party, but their platform is quite good, even if it doesn’t have the same following as Facebook. Worth creating a G+ page for your organisation to help spread the word.

– And more…
There’s lot’s of other apps to discover, though I’ve mentioned the main ones here.

2. Google Grants
The grants are in the form of credit which is applied to a Google AdWords account. Again, you need to have recognised charitable status. You start with a credit of $10,000 (USD) per month. That seems like a lot, but advertising through Google can be very expensive. If you exceed this, you may be able to get an allowance of $40,000 (USD) per month. There are very strict rules on how this credit can be used.

3. YouTube For Non-Profits
YouTube (owned by Google) also has an offering to help charities out. You can create a channel which has features that are normally only accessible to premium members (usually large corporations with a budget to match.) These extra features include custom channel branding, donate buttons, live video streaming and other useful tools.

PDF: Google Playbook For Good

4. Google Earth Outreach
Using the powerful Google Earth, you can visualise your positive impact on the planet. You can integrate with Google Earth to overlay information and graphics over the areas you wish. There’s quite a number of exciting tools, and endless possibilities.

Facebook for Charities & Non-Profits

http://www.facebook.com/
As far as I’m aware. Facebook doesn’t haven’t any particularly special offerings for non-profits. You can set up a page for your organisation, but that’s currently as far as it goes. A Facebook page is still an important part of any campaign, so it shouldn’t be neglected.

Bing for Charities & Non-Profits

http://www.bing.com/explore/helpyourbritain*
Bing is Microsoft’s search engine offering. Not as widely used as Google, and lacking many of the features, it’s trying to re-position itself as a market leader (it was, but lost it’s grip) by entering the search engine market and giving its web browser (Internet Explorer) a massive overhaul. Microsoft is working on producing new tools for web users, and the ‘Help Your Britain’ addition is aimed at providing a promotional tool for non-profits.

You can also set up a profile for yourself, and your organisation.
https://profile.microsoft.com/RegSysProfileCenter/default.aspx

*Kindly informed of the updated link by Richard at Stretch Digital.

LinkedIn for Charities & Non-Profits

http://www.linkedin.com/
Social entrepreneurs should certainly leverage the possibilities that LinkedIn offers. There’s lots that can be done to help promote your cause, and I’ve written a couple of articles discussing how to use LinkedIn for maximum effect – Read my article about using LinkedIn.

Twitter for Charities & Non-Profits

https://twitter.com
Twitter is another social media platform which doesn’t have a specific range of tools for non-profits, though it has been used very successfully to raise awareness for a large number of concerns. Read about some of the success stories.

More useful resources

Why you shouldn’t buy email lists

Buying email lists is never a good idea. This is no longer the 1990’s, there’s now legislation in place to try and stop it, people are fed up with it, and they’re more savvy about reporting it. Although it may initially seem like a good idea, you may be setting yourself up for more heartache than it’s worth.

Is Sending Spam Legal?

Many people ask this question, and those thinking of buying email lists often ask ‘is buying email lists legal?’ The fact that these questions are asked should get alarm bells ringing. Yes, buying email lists is legal, and so is sending spam as long as the rather paltry requirements of CAN SPAM are met. These are:
1. Your email must include an opt-out link
2. You give a physical postal address
3. The email headers have not been forged

I Do All That, So What’s The Problem?

With increasing contention surrounding spam, buying email lists is more hassle than it’s worth. Although it’s possible to get targeted email lists, they’re still very ineffective – the only people who benefit from spam email lists are the people who sell them. There have been a few high-profile cases where the buying and using of email lists have caused untold grief for the company who sent them. Here’s the reasons why you should never buy an email list:

1. EMAIL ADDRESSES MAY HAVE BEEN HARVESTED
This is particularly true of the cheaper email lists which have been compiled by unscrupulous methods such as using bots to scour the web and gather up all email addresses that they come across. Safe to say that the owners of these addresses won’t have opted in.

2. LISTS ARE HIGHLY INEFFECTIVE
There are no quick fixes. If you want a highly relevant and effective list, build your own. It’s a slow process, but of a much higher-quality than you’ll be able to buy.

3. WHY WOULD A COMPANY SELL THEIR CONTACT LIST?
Think about it, if a company has gone to the trouble of creating a high-quality list, why would they then sell it as oppose to renting. (Renting is marketing slang where a company sends emails to their list on your behalf. You never see the email addresses.) Not to mention that the list you buy will have been bought by many other companies, all spamming the same people. Renting a list will al least mean that the owners have put some care and consideration into its compiling.

4. EVEN RENTING LISTS ISN’T EFFECTIVE
Marketing experts the world over tend to agree on this. Renting is expensive, and that money is better spent elsewhere. Somewhere where it’ll get you more for your money.

5. IT WILL REALLY ANNOY YOUR HOSTING PROVIDER
Large volumes of unsolicited mail will undoubtedly result in a large number of those mails bouncing back, either soft (where a message reaches the intended mail server, but is returned as the user ‘bounces’ it by flagging it as spam, the mailbox is full, not functioning or your message is too large) or hard (where the email address is invalid, or the recipient server has blacklisted your mail server), and this puts added strain on the mail server. Your hosting provider will have rules on the sending of bulk mail, and breaking those rules can result in their refusal to offer you hosting.

6. YOUR MAIL SERVER CAN GET BLACKLISTED
Tied in with point 5 about annoying your hosting provider, being blacklisted is a huge problem – blacklists are global and subscribed to by different ISPs, meaning that more and more servers will refuse mail from you.

7. REPUTABLE EMAIL MARKETING COMPANIES WON’T LET YOU USE PURCHASED LISTS
MailChimp is a common one. They know that purchased lists are not the way things should be done, and they don’t want anything to do with them as they’ll harm their own reputation.
“No purchased lists (no matter how expensive).” – MailChimp T&C’s

8. SENDING SPAM WILL TARNISH YOUR COMPANY’S IMAGE
…and your soul. Many consumers will lose respect instantly, with some people going as far as to vow to never deal with such a company.

9. BEWARE THE SPAM TRAPS AND HONEYPOTS
Such is the need to combat spam, that the numerous organisations that have appeared to combat the problem set ups traps to find those who spam, and those who create the email lists. These are email addresses that are created and hidden on web pages so that bots harvest them. When the email receives an email, it can only be from a spammer, or spam list. The sender is then blacklisted.

10. YOU’RE WASTING TIME AND MONEY
The money is an obvious one, but having to deal with all nonsense that comes about from using a bought list can take up a great deal of your valuable time – dealing with complaints from recipients, your ISP, ‘cleaning’ the list, and so on. By creating your own list, you put in the legwork now, but reap the benefits later. Better still, you haven’t annoyed anyone.

How Should It Be Done?

  • Create your own lists by getting permission from customers and potential customers
  • Offer a newsletter or another good reason to sign-up for a regular email. Such as coupons
  • Don’t email them too often. Unless you have great, time-sensitive offers, once a fortnight is more than enough. People tend to unsubscribe after the third email unless they perceive that they’re receiving something useful
  • Comply with CAN SPAM
  • Give your mail recipients something useful. Give them a reason to read your mail, and not flag it as spam
  • Use double opt-in – This means that not only have they agreed to receive email, but their email address is confirmed as live and correct
  • Clean your list regularly. Make sure that you’re only sending to people who want it, and that there’s no dead addresses
  • Test, test and test some more. Make sure that your email displays correctly in the major email programs and that they don’t break if people block images
  • Consider using multiple email subscriptions so that people can choose which types of emails are relevant to them

Is It Legal To Buy Or Sell Email Lists?

Each country has their own laws, and the CAN SPAM act doesn’t actually forbid the selling or buying of email lists. This may be where a flaw in the CAN SPAM act lies; it doesn’t penalise the people who harvest these email addresses, though there is protection from this in the Data Protection Act (UK), and other countries will have their own laws. So unless everybody on those email lists have explicitly given permission for their details to be sold, the sellers and buyers are likely to be breaking the law.

Many companies who sell these lists describe them as ‘clean’. Doesn’t that mean that they’re inherently dirty?

The List (The Self) – Self Directed

The List was the final MA project born of 12 months research and smaller exploratory projects based upon the notion of the Self, and what it means to be an individual. My MA was spent looking at differences in personality as I was interested in psychology behind our reactions. Namely, why would a particular event in someone’s life affect them dramatically, where another person would be able to simply ‘shrug it off’ and carry on as normal.

The research delved primarily into Jungian psychology, examining the facets of the psyche, and looking at shared experiences. The project allowed people to draw their own conclusions about me, as an individual, unaware that it allowed me to test their wide-ranging reactions to my work.

The List was an attempt to document everything in my life. A task so huge as to be impossible, though it certainly didn’t stop me trying. It was purposely designed to be sterile and focussed solely on information, not emotion.

PDF: The list

jd_the_list copy

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Christmas Cards – Self Directed

These were a range of cards, designed and created by myself to send to clients at Christmas. Each made interesting use of cut-outs and negative / positive space to create eye-catching designs.

  • Paper engineering

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_MG_9022

_MG_9024

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